The particular prologue to A Dream Play about the soul

The particular prologue to A Dream Play about the soul

If it seems distinct to be able to substitute that biblical phrase soul for personality inside the materialist economy involving naturalistic drama, there are usually other caractère as Strindberg works out a aesthetic for the atomized heart and soul of a hysterical time, soon before Freud and Breuer began their known studies of hysteria. Regarding instance, there is certainly a passageway in the preface exactly where, observing that people were increasingly interested in “psychological course of action, ” Strindberg—whose individual works on mindset got been entitled Vivisections—goes with to sound, within the demystifying mode, less like Sigmund Freud and more just like Bertolt Brecht. “Our curious souls, ” he tells, “are certainly not satisfied simply to notice something transpire; we want to recognize how it happened. We wish to view the strings, the machinery, study the double-bottomed box, experience the seam inside the magic band, glimpse at the cards to see where did they are marked” (57). Nevertheless a moment after insisting the fact that theatricality reveal itself, the apparatus of production become revealed, and presumably picture together with that, Strindberg writes concerning “the technical areas of composition, ” that he provides experimented in Miss Jules “with eliminating act divisions. ” Why? To protect, just like Nietzsche, the potential of illusion. Or perhaps, since Strindberg puts it: “The reason is that We believe our dwindling total capacity intended

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