Another highlight is the raw self proof of the play on words

Another highlight is the raw self proof of the play on words

WHAT We WILL BE TELLING about A Fantasy Play is not necessarily since we've seen it below, 1 but as I've considered it before, throughout the mind's eye, with some regret the fact that, although I'd long been tempted to stage it, for one reason or other—perhaps the preventing prospect—I by no means came in order to car ry out it. That it is getting attention today, and certainly not simply in this case, may be telling you something, yet as along with its Swedenborgian intimations, triplex cosmos, occulted symbols, the particular “round bored holes and a clover leaf throughout the front door, ”2 the visual warp on the shown refractions or, using specific shifts and reversals regarding perception, recessions involving overall look in a sort associated with video camera obscura—the dark photograph of any cloud muting this darkish picture of a new tower—we may not end up being sure what it can be. Or even, maybe, appallingly, just as well sure, so significantly so that at some clairvoyant level we may possibly want we didn't understand, such as the Quarantine Master within the Dire Straits who hopes he could forget (238). In case, for Strindberg, what there seemed to be to be identified came in some measure from the vicissitudes on the unconscious, with the libidinal material transformed into phallic aconites together with vulvous grottos, or a body turning out to be Fingal's Give, there will be also the raw self-evidence, the

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